Sponsored By:
Sponsored By:
The British Journalism Awards for public interest journalism will be held on December 10 and the Hilton Bankside in central London.
Launched in 2012, this event is unique among the major journalism prizes in the UK in that it is open to all journalists working across all types of media.
Created partly as a response to the hacking scandal and the Leveson Inquiry, these awards aim to celebrate and promote great journalism which is both interesting to the public AND in the public interest.
Last year the winners ranged from the Guardian’s Amelia Gentleman who collected the Journalist of the Year award for her reporting on the Windrush scandal to Buzzfeed LGBT editor Patrick Strudwick who took the Specialist Journalism prize.
The 50+ British Journalism Awards judges include 11 former national newspaper editors and are chosen for their experience and expertise. The judges are chaired by Press Gazette editor-in-chief Dominic Ponsford.
The British Journalism Awards has grown every year since it was first held at Stationers' Hall in the City of London six years ago. It is now a drinks reception, three-course dinner and awards ceremony.
Last year the award attracted nearly 500 entries from every major national news organisation in the UK.
Ponsford said: “The British Journalism Awards is an event which is unashamedly idealistic in its aims, but this doesn’t mean that great popular journalism won’t be recognised.
"On the contrary, this event is as much about celebrating sensational journalism in the mould of that promoted by the Daily Mirror’s Hugh Cudlipp as it is about recognising high-minded investigations of the sort pursued by the Sunday Times Insight Team under Harold Evans.
“Crucially, the British Journalism Awards will recognise the best journalists of the year regardless of the medium they work on – be it print, online or broadcasting."
For information about sponsorship, please contact commercial manager Kalpesh Vadher at kalpesh.vadher@pressgazette.co.uk or 0203 096 2261.
To enquire about tickets for the awards dinner, please email pged@pressgazette.co.uk or call 0207 936 6436.
Entries will open on 1 August 2019.
Application events and deadlines
Open to Entries at the Early Bird Rate
Entries close
Entries close for judging
Judging days
7pm Drinks Reception 8pm Dinner Served 9:15pm Awards Ceremony to commence 10:30pm Post Awards Drinks
Open to Entries at the Early Bird Rate
Entries close
Entries close for judging
Judging days
7pm Drinks Reception 8pm Dinner Served 9:15pm Awards Ceremony to commence 10:30pm Post Awards Drinks
For the journalist who has done the most to probe and investigate the worlds of showbiz, the arts and entertainment. The judges are looking for work which shows journalistic skill and rigour, is revelatory and which serves the public interest. For print/online entries, please provide up to three examples of work. Broadcasters can submit up to three clips or one entire programme in support of their entry. A supporting statement of up 500 words must also be included. Collaborative entries are accepted. Work should have been published between 1 September 2018 and 30 September 2019 and aimed at a UK audience.
For the journalist who has done the most to probe and investigate the world of business. The judges are looking for work which shows journalistic skill and rigour, is revelatory and which serves the public interest. For print/online entries, please provide up to three examples of work. Broadcasters can submit up to three clips or one entire programme in support of their entry. A supporting statement of up 500 words must also be included. Collaborative entries are accepted. Work should have been published between 1 September 2018 and 30 September 2019 and aimed at a UK audience.
For the series of articles, broadcasts or digital project which has done the most to make a difference in society and serve the public interest. You cannot enter the same work in the Campaign and Investigation categories. Judges will be looking for evidence of a campaign’s impact, originality, bravery, skill of execution and at how journalism has been used to further the campaign’s objectives. For print/online entries, please provide up to five examples of work. Broadcasters can submit up to five clips or one entire programme in support of their entry. A supporting statement of up 500 words must also be included. Work should have been published between 1 September 2018 and 30 September 2019 and aimed at a UK audience.
This category recognises the best comment journalist of the year. The judges are looking for the most incisive comment which has brought new ideas and thinking to bear when discussing a matter of public interest. For print/online entries, please provide up to three examples of work. Broadcasters can submit up to three clips or one entire programme in support of their entry. A supporting statement of up 500 words must also be included. Collaborative entries are accepted. Work should have been published between 1 September 2018 and 30 September 2019 and aimed at a UK audience.
This category is for the best journalism covering crime, courts and the law. The judges are looking for work which shows journalistic skill and rigour, is revelatory and which serves the public interest. For print/online entries, please provide up to three examples of work. Broadcasters can submit up to three clips or one entire programme in support of their entry. A supporting statement of up 500 words must also be included. Collaborative entries are accepted. Work should have been published between 1 September 2018 and 30 September 2019 and aimed at a UK audience.
This award is for the best features journalist of the year. It rewards excellent journalism on a matter of public interest which could be descriptive or of a human interest nature and shows evidence of fine writing. This category is not intended for investigations or comment. The judges are looking for work which shows journalistic skill and rigour, is revelatory and which serves the public interest. For print/online entries, please provide up to three examples of work. Broadcasters can submit up to three clips or one entire programme in support of their entry. A supporting statement of up 500 words must also be included. Collaborative entries are accepted. Work should have been published between 1 September 2018 and 30 September 2019 and aimed at a UK audience.
For the journalist working for a UK audience, whose reports from overseas have done the most to serve the public interest. The judges are looking for work which shows journalistic skill and rigour, is revelatory and which serves the public interest. For print/online entries, please provide up to three examples of work. Broadcasters can submit up to three clips or one entire programme in support of their entry. A supporting statement of up 500 words must also be included. Collaborative entries are accepted. Work should have been published between 1 September 2018 and 30 September 2019 and aimed at a UK audience.
This category is for journalists who cover health and the healthcare industry. The judges are looking for work which shows journalistic skill and rigour, is revelatory and which serves the public interest. For print/online entries, please provide up to three examples of work. Broadcasters can submit up to three clips or one entire programme in support of their entry. A supporting statement of up 500 words must also be included. Collaborative entries are accepted. Work should have been published between 1 September 2018 and 30 September 2019 and aimed at a UK audience.
This category is for the best journalism innovation of the year. The judges are looking for a project which brings new information to light on a matter of public interest either directly or indirectly by creating a new stream of revenue. Innovative digital storytelling can be submitted in this category but it is also open to print and broadcast work. Suitable entries could include: • A new editorial product or method of storytelling which has found a new audience • An innovative way of investigating a story • A paywall or other commercial strategy which helps to pay for journalism. Please provide supporting statement of up to 500 words. For print/online entries please submit up to five supporting articles. Broadcasters should submit up to five clips or one entire programme to support their entry. This innovation should either have been launched between September 1 2018 and September 30 2019 or have borne fruit in that time period.
For the journalist who has done the most to bring new information to light through interviews. The judges are looking for work which shows journalistic skill and rigour, is revelatory and which serves the public interest. For print/online entries, please provide up to three examples of work. Broadcasters can submit up to three clips or one entire programme in support of their entry. A supporting statement of up 500 words must also be included. Collaborative entries are accepted. Work should have been published between 1 September 2018 and 30 September 2019 and aimed at a UK audience.
This award is for the most incisive and revelatory public interest investigation of the year. The judges will be looking for work which is compelling and which brings significant new information to light on a matter of public interest. You cannot enter the same work in the Campaign and Investigation categories. The judges are looking for work which shows journalistic skill and rigour, is revelatory and which serves the public interest. For print/online entries, please provide up to five examples of work. Broadcasters can submit up to five clips or one entire programme in support of their entry. A supporting statement of up 500 words must also be included. Collaborative entries are accepted. Work should have been published between 1 September 2018 and 30 September 2019 and aimed at a UK audience.
This award is for the journalist who, more than any other, deserves recognition for their outstanding individual performance over the year. The judges are looking for work which shows journalistic skill and rigour, is revelatory and which serves the public interest. For print/online entries, please provide up to five examples of work. Broadcasters can submit up to five clips or one entire programme in support of their entry. A supporting statement of up 500 words must also be included. Collaborative entries are accepted. Work should have been published between 1 September 2018 and 30 September 2019 and aimed at a UK audience.
This category is for the best journalism at a local and regional level. It is open to local newspapers, websites and broadcast outlets. Those working for news outlets aimed at a national audience cannot enter this category. Journalists can enter this category as individuals or teams. They may want to highlight one particular project, investigation, campaign or a linked series of news stories. The judges are looking for work which has done the most to bring new information to light on a matter of public interest and for journalism which has made a difference for the better at a local level. For print/online entries, please provide up to three examples of work. Broadcasters can submit up to three clips or one entire programme in support of their entry. A supporting statement of up 500 words must also be included. Collaborative entries are accepted. Work should have been published between 1 September 2018 and 30 September 2019 and aimed at a UK audience.
This category was launched in memory of the late Sunday Times foreign correspondent Marie Colvin who was killed reporting on the plight of people in the besieged Syrian city of Homs in 2012. It is free to enter and anyone can make a nomination. The judges are looking for a journalist who has raised the reputation of journalism and journalists through their efforts to bear witness to events in the way that Colvin did. Please submit a supporting statement and up to five examples of work which can be either from the last year or over a longer time period.
This award is for a relative newcomer to the industry (who may have worked in other jobs before) and has been a journalist for fewer than 36 months. The judges will be looking for work which is compelling and which brings significant new information to light on a matter of public interest. For print/online entries, please provide up to three examples of work. Broadcasters can submit up to three clips or one entire programme in support of their entry. A supporting statement of up 500 words must also be included. Collaborative entries are accepted. Work should have been published between 1 September 2018 and 30 September 2019 and aimed at a UK audience.
For the news organisation which has done the most to provide journalism that is both interesting to the public and in the public interest. This category is open to newspapers, magazines, websites and broadcast outlets. News channels, news agencies and particular broadcast journalism strands are all eligible. The award will recognise a news provider that has excelled in terms of serving the public interest and bringing new information to light. The judges are looking for a news provider which stands out because of the quality of its investigative journalism and ability to break news on matters of public interest. For print/online entries, please provide up to ten examples of work. Broadcasters can submit up to ten clips or one entire programme in support of their entry. A supporting statement of up 500 words must also be included. Work should have been published between 1 September 2018 and 30 September 2019 and aimed at a UK audience.
For the photographer whose work has done the most to serve the public interest. Please submit up to three photos (as jpeg files). Entrants can also provide PDFs of the images as they appeared in print or online. There is a six-file limit per entry. Please also include a supporting statement of up to 500 words.
This category is for the best politics journalism published in any format aimed at a mainly UK audience. The judges are looking for work which shows journalistic skill and rigour, is revelatory and which serves the public interest. For print/online entries, please provide up to three examples of work. Broadcasters can submit up to three clips or one entire programme in support of their entry. A supporting statement of up 500 words must also be included. Collaborative entries are accepted. Work should have been published between 1 September 2018 and 30 September 2019 and aimed at a UK audience.
This award is for journalists who cover science and the environment. The judges are looking for work which shows journalistic skill and rigour, is revelatory and which serves the public interest. For print/online entries, please provide up to three examples of work. Broadcasters can submit up to three clips or one entire programme in support of their entry. A supporting statement of up 500 words must also be included. Collaborative entries are accepted. Work should have been published between 1 September 2018 and 30 September 2019 and aimed at a UK audience.
This is the prize for the best story of the year (news providers can enter only one story for this award). The judges are looking for work which had an impact, brought new information to light and served the public interest. Please include a supporting statement of up 500 words. Work should have been published between 1 September 2018 and 30 September 2019 and aimed at a UK audience.
This category is only open to specialist and trade publications only. National publications and outlets cannot enter this category. The judges are looking for work which shows journalistic skill and rigour, is revelatory and which serves the public interest. For print/online entries, please provide up to three examples of work. Broadcasters can submit up to three clips or one entire programme in support of their entry. A supporting statement of up 500 words must also be included. Collaborative entries are accepted. Work should have been published between 1 September 2018 and 30 September 2019 and aimed at a UK audience.
This is for the sports journalist who has done the most to investigate the world of sport and serve the public interest. The judges are looking for work which shows journalistic skill and rigour, is revelatory and which serves the public interest. For print/online entries, please provide up to three examples of work. Broadcasters can submit up to three clips or one entire programme in support of their entry. A supporting statement of up 500 words must also be included. Collaborative entries are accepted. Work should have been published between 1 September 2018 and 30 September 2019 and aimed at a UK audience.
For the journalist who has done the most over the course of the year to investigate the world of technology. The judges are looking for work which shows journalistic skill and rigour, is revelatory and which serves the public interest. For print/online entries, please provide up to three examples of work. Broadcasters can submit up to three clips or one entire programme in support of their entry. A supporting statement of up 500 words must also be included. Collaborative entries are accepted. Work should have been published between 1 September 2018 and 30 September 2019 and aimed at a UK audience.
Meet the judges
Giles is a former Editor-In-Chief of Property Week who started in journalism at its predecessor Estates Times in 1988. He has also worked as News Editor at the architects’ paper Building Design and as Deputy Editor at Building magazine. During his time at Property Week he led the brand to the Professional Publishers Association Weekly Magazine of the Year award in 2007 and 2009 and to the PPA Business Media Brand of the Year title in 2012. He also led propertyweek.com to the Association of Online Publishers’ Editorial Team of the Year title in 2010 and the Business Website of the Year title in 2012. Giles was later named PPA Business Editor of the Year in 2009, and British Society of Magazine Editors Business Editor of the Year in 2012. Since joining FTI Consulting in 2013 he has worked on a number of corporate and financial PR briefs, focused on the built environment.
LUKE BLAIR, VICE PRESIDENT OF COMMUNICATIONS AND PUBLIC AFFAIRS
Journalism professor and Freedom of Information campaigner
Freelance journalist and media consultant
Emeritus professor of journalism at Sheffield University
Martin is the director of B2B content and communications agency Itsdevelopmental Ltd, which he set up after 17 years of working in business journalism at Reed Business Information.
Michael Crozier is Editorial Director of Crozier Associates
Ralph Cunningham is a freelance editor and writer, and the director of the Hong Kong-based Sands Street Media Limited
In a career spanning 50 years John Dale pioneered citizen journalism through a new genre of award-winning magazines such as Take a Break. He is the author of 24 Hours In Journalism, worked for two decades on national newspapers and, more recently, founded the internet-based Brentford TV, the UK's first constituency TV channel.
Brian Flynn is a former investigations editor of The Sun.
Former editor of Which?, the Toronto Sun and four UK regional daily newspapers
Dr Karen Fowler-Watt is a former senior BBC journalist, who worked for news and current affairs programmes The World at One and PM, as well as in the field; in the Middle East, covering the first Gulf War, in Moscow and in the US. Now, as a senior academic at Bournemouth University, she is engaged in reflection on issues associated with journalism, with the aim of seeking best practices. Her research focuses on empathy in reporting conflict, trauma awareness in journalism education and marginalised voices. She works closely with Global Voices and she is currently co-investigator for a funded project working with children affected by the civil conflict in Colombia and another on fake news and media literacy.
Alan Geere’s 40-year career in newspaper management
Former night editor of The Times with 40 years experience in journalism - author of the SubScribe blog.
Roderick Gilchrist is a former Deputy Editor at the Mail on Sunday and New York correspondent for the Daily Mail
Leon Hawthorne is a journalist, broadcaster, erstwhile TV executive and consultant on digital content strategy for newspaper and magazine groups.
Lindsey Hilsum is the International Editor of Channel 4 News, and the author of a forthcoming book
Former editor of The Sunday Times Insight Team and of the Bureau of Investigative Journalism
Stephen Jukes is Professor of Journalism at Bournemouth University's School of Journalism, English & Communication.
Dr Paul Lashmar is Deputy Head of Journalism at City, University of London
Robin joined Emap in 2008, initially as digital editor with Local Government Chronicle. In 2011
Anthony Longden has been a journalist for 36 years
Former BBC producer and editor of 10 books on journalism
Lee is an urbanist and a regular contributor to the London Evening Standard’s Homes & Property Supplement. His work is about communicating ideas in the built environment for developers, architects and public sector agencies. He qualified and worked as a chartered surveyor before editing weekly trade magazines Property Week and Building Design and he has an MA in urban design.
Gren Manuel is formerly executive editor for Europe for the Wall Street Journal and editor of Financial News.
Rob McGibbon is an author and freelance journalist who as written for numerous national newspapers and magazines since 1986. He is also a producer at Scoop Films
After more than 30 years in B2B media, as a reporter, editor and then publisher, Simon Middelboe now runs his own consulting firm, Unicorn Digital Media, in the main helping publishers create more valuable, paid-for content propositions.
CEO and founder of Iconic Images
Former Sunday Mirror political editor with 25 years experience in senior editorial positions on national and regional titles, including Mail on Sunday & Bristol Post.
A native of Belfast, Northern Ireland, Sam Ogle began his journalistic career on the Belfast Telegraph evening newspaper at the height of the IRA bombing campaign in the 1970s. At that time, and in those circumstances, there was no shortage of hard news to be covered. Later, he plied his trade for four years as an expatriate in the Ivory Coast followed by two years in Senegal and two in New York. Now resident in London, he edited Think Law magazine before specialising for the last thirteen years in the automotive logistics and supply chain industry. He has been editor of several automotive publications and, for the last six-and-a-half years, Automotive Purchasing & Supply Chain. He has moderated, and taken part in, panel discussions at automotive conferences in the UK, the USA, Russia, Turkey, Finland, Belgium, Germany, Austria and Mexico.
Iain Overton is the Executive Director of Action on Armed Violence, and an investigative journalist. Having worked in over two dozen conflict zones, and a former BBC and ITN journalist, Overton’s human rights reporting has been awarded a Peabody Award, two Amnesty Awards, and a BAFTA Scotland among others. He was an executive producer on both Dispatches and Panorama and was the founding editor of the Bureau of Investigative Journalism. He has also written for the Guardian, the LA Times, Open Democracy, the Independent and the Huffington Post. He has been a lecturer in investigative journalism at a number of UK universities, including Birkbeck. His first book - Gun Baby Gun - was published in the UK in April, 2015 and was shortlisted for a Golden Dagger Award. His second book The Price of Paradise – how suicide bombers have helped shaped the modern world – was published in April, 2019.
Director of Business and Communications, ECA
Sean Ryan is the media director of Save the Children
Fergus Shanahan is a former deputy editor and executive editor of The Sun.
Becky Slack has spent most of her career writing for, and editing, specialist titles, ranging from charity sector trade magazines through to B2B supplements for publications, such as the New Statesman, Guardian and Independent.
Independent Media blogger/freelance Journalist
Moira Sleight is Editor and Publisher of the Methodist Recorder weekly national newspaper and a Board member of both the Society of Editors and the London Press Club.
Hannah is a Copywriter and Award’s Editorial Manager for AI Global Media, a specialist B2B publishing house whose titles include Acquisition International Magazine, Wealth & Finance International and SME News.
Jeremy Thompson is one of the UK’s most experienced and acclaimed TV newsmen. He started as a journalist in newspapers and went on to spend over 40 years in network TV news with the BBC, ITN and Sky News, reporting from every corner of the world. He ran bureaux in Asia, Africa and America, covering many of the most important news stories of our times, including Tiananmen Square, the election of Nelson Mandela, 9/11, two Gulf Wars, the Balkan conflict, the Genocide in Rwanda, the War on Terror and the Indian Ocean Tsunami. He became Sky’s early evening news anchor and pioneered presenting from the frontline for nearly two decades, winning many accolades, including three Emmys, three BAFTAs and the Royal Television Society’s Presenter of the Year Award. Jeremy recently retired from full-time TV news presenting, signing off his illustrious career with coverage of his sixth and most unusual US presidential campaign - the election of Donald Trump. His very successful autobiography ‘Breaking News’ has now been published in paperback.
Richard Vize (@RichardVize) has been a commentator on public policy and public services reform for more than 25 years
Tim Walker is a writer, author and broadcaster. He has worked on the staffs of The Observer, Daily Mail and Daily Telegraph, where he edited the Mandrake diary for 12 years. He writes election diaries for the Daily Mirror and has lately revived Mandrake in The New European.
Rosie Waterhouse PhD is an experienced investigative journalist having worked for local and regional newspapers, five national newspapers including the Sunday Times Insight Team (twice), the Independent and Independent on Sunday (Investigations Editor), the Mail on Sunday, and the Daily Telegraph and as a reporter for BBC Newsnight. Until September 2016 she was Director of the MA in Investigative Journalism at City University London. She is now working freelance and most recently wrote a series of articles in Private Eye on the 'Satanic Panic' and false historical allegations of child sex abuse. She has contributed freelance work to New Scientist, New Statesman, the Sunday Times, the Mail on Sunday, the Daily Mail, the Guardian, and acted as consultant to BBC Newsnight and BBC Real Story. Her seminal investigation published in the Independent on Sunday in August 1990, The Making of a Satanic Myth, is cited as one of the first investigations by a journalist – or any academic researcher – to expose the origins and spread of the myth. Rosie has been researching false allegations of child sexual abuse – in one guise or another – for 28 years and her published work on these issues forms the basis of her PhD by Prior Publication, awarded by City University London in August 2014. Her thesis is entitled “Satanic abuse, false memories, weird beliefs and moral panics: Anatomy of a 24 year investigation”.
David Worsfold is best known for his work as an award-winning financial journalist, in particular as a writer on the financial services which he has covered for over 35 years. As well as editing a range of leading insurance titles, including Post and Insurance Age, David wrote for The Guardian for several years and has contributed to most major national newspapers. He has appeared on radio and television as a commentator on insurance and financial issues and is an experienced conference speaker and facilitator. Among his many achievements, David launched the British Insurance Awards – now the most successful B2B awards scheme in the UK. From 2005 to 2013 he was Group Editorial Services Director of Incisive Media where he launched a successful editorial graduate training scheme. Since 2013 he has been a freelance writer, editorial trainer and presenter. His first book Fighting for the Empire was published in 2016. He has had two books published by Business Expert Press: Twitter for Financial Services (2017) and From Behind the Desk to the Front of the Stage (2018)
Dominic Young is CEO of Agate, which is making consumer revenue streams available for any publisher by removing all the barriers – including subscription
The 2019 British Journalism Awards are sponsored by
Since its launch in 1994, The National Lottery has delivered a life-changing £39 billion for Good Causes, with more than 535,000 individual awards made across the UK – an average of over 190 lottery grants in every postcode district. It has also awarded over £69 billion in prizes and created more than 5,100 millionaires or multi-millionaires.
The National Lottery is at the heart of communities across the UK and benefits millions of people’s lives – just as the national, regional and local media do every day. Thanks to your invaluable support over the past 25 years, National Lottery winners have been able to share their good news, missing ticket-holders have been united with their previously-unclaimed winnings and a huge range of projects have been able to highlight the life-changing difference they make thanks to vital National Lottery funding.
Camelot wishes the Press Gazette a hugely successful awards evening.
Starling is a digital bank targeting millions of users who live their lives on their phones. Based in London, it is revolutionising the banking industry. It offers current accounts for individuals and small business owners and a Marketplace, which provides its customers with in-app access to a range of third-party financial services providers, such as insurers, pension providers, investment platforms and mortgage brokers. Starling Banking Services provides payment solutions and Banking-as-a-Service to banks, fintechs, corporations and governments. Starling believes everyone should be able to enjoy a healthy financial life and should feel in control of their money. That’s why its app is loaded with smart money management tools, such as instant payment notifications, spending insights and real-time balance updates.
Transparency International UK (TI-UK) is the UK chapter of Transparency International, the global movement against corruption. TI-UK fights corruption by promoting changes in values attitudes and behaviour at home and abroad, through programmes that draw on the UK’s unique position as a global political and financial centre. TI-UK successfully campaigned for the introduction of the UK Bribery Act and more recently the Criminal Finances Act that will make it tougher for corrupt individuals to use the UK to launder stolen money.
Google is a global technology leader focused on improving the ways people connect with information. Google's innovations in web search and advertising have made its website a top Internet property and its brand one of the most recognised in the world. The Google News Initiative, launched in March 2018, is Google's effort to work with the news industry to help journalism thrive in a digital age. The GNI will advance solutions across 3 major pillars where the news industry faces challenges and opportunities today: elevating and strengthening quality journalism, evolving business models to drive sustainable growth, and empowering news organisations through technological innovation.
Huawei is a leading global information and communications technology (ICT) solutions provider. With its headquarters in Shenzhen, China we operate in 170 countries across the world. Founded in 1987, Huawei is a private company fully owned by its employees. Our aim is to build a better connected world, acting as a responsible corporate citizen, innovative enabler for the information society, and collaborative contributor to the industry. Every day one third of the world’s population uses our technology to help to connect with others. Driven by customer-focused innovation and open partnerships, Huawei has established an end-to-end ICT solutions portfolio that gives customers competitive advantages in telecom and enterprise networks, devices and cloud computing, and provides them with world class smartphones and other consumer devices. Huawei’s 170,000 employees worldwide are committed to creating the best possible value and experience for telecom operators, businesses and consumers.
It was much more fun than rival awards ceremonies and much better to meet fellow journalists and award winners.
It was a very inspiring night.
A reminder of all that is best about British journalism in a very good venue with a very good audience. Congratulations on a great awards ceremony. I thought it was a really good atmosphere – and helped remind us of the importance of the brilliant journalism that we can all be proud of. We were pleased to be part of the evening.
It was a huge honour to be nominated alongside so many great names from the industry.
Congratulations to Press Gazette on a timely, welcome initiative. Press Gazette is one of the institutions that underpins our industry - much in vogue these days - and what you have done is very important for us all.
It gets bigger and better every year and celebrating journalism still somehow feels like an act of defiance... I remain delighted that science reporting takes it’s place alongside politics and business and this year... lots of awards I attend feel indulgent and irrelevant. This one feels important.
I’ve won one or two broadcasting awards before but this is a wider award covering the whole of the British media and that’s what makes it extra special.
Event Information:
Sponsorship:
